FOR IMMEDIATE RELEASE
The Luminous Power of Luxury Arts in the Ancient Americas is Examined in Major International Loan Exhibition
Part of Pacific Standard Time: LA/LA, the exhibition will feature more than 300 works rarely or never-before seen in the United States from more than 50 international lenders.
Golden Kingdoms: Luxury and Legacy in the Ancient Americas
September 16, 2017 – January 28, 2018
J. Paul Getty Museum, Getty Center
February 27 – May 28, 2018
The Metropolitan Museum of Art, New York City
Gold, chrysocolla, shells
Object: H: 27.9 × W: 43.2 × D: 4.4 cm (11 × 17 × 1 3/4 in.)
Courtesy of the Ministry of Culture, Peru, Lima-Peru
“Bringing together many of the most spectacular discoveries of luxury arts from recent archeological excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, Golden Kingdoms will stimulate new ways of thinking about materials, luxury, and the visual arts from a global perspective,” says Timothy Potts, director of the J. Paul Getty Museum and one of the exhibition curators. “Emphasizing specific places and moments in time when extraordinary heights of artistic development were achieved, this landmark exhibition will show how the cultures of ancient America invested their art with deep spiritual and ritual meanings, determined both by their craftsmanship and materials of manufacture. While the goldwork of ‘El Dorado’ is widely known, visitors will be mesmerized by the objects of stone, feathers, shell and textiles which ancient Americans valued even more highly than gold.”
In the ancient Americas, materials selected for the most highly valued, precious ornaments or royal vessels also had rich symbolic potential and the ability to convey specific ideas. Unique to this region, metals such as gold and silver were used primarily for ritual and regalia, rather than for tools, weapons, or currency. Gold was reserved for gods, kings, and queens and was closely associated with the supernatural realm. It was primarily used to express social status, political power, and religious beliefs. Fashioned into delicate ornaments to be worn in life and death by high-status individuals, the gold items on display feature a rich supernatural world of snarling, fantastical beasts and other extraordinary beings.
Jade, turquoise, shell, and feathers were also highly valued, sometimes more so than gold, due to their scarcity and unique qualities. Indeed, throughout the ancient Americas, finely woven garments and feather works were among the most labor-intensive and highly prized luxury arts of all. For the Olmecs and Mayas, jade, which came from a single quarry in what is today Guatemala and was one of the hardest stones to carve, was the most sacred and precious substance. In the Andes, spondylus, a colorful shell that was acquired by diving to considerable depths, was described by a Spanish colonial authority as more highly prized by the Inca than gold or silver.
A major theme of the exhibition focuses on the artistic exchange of materials and ideas across time and place, unconstrained by today’s national boundaries. Works of great value would often be transported over vast distances, or passed down through generations, attracting new admirers and inspiring new artists. Gold, for example, was first exploited in the Andes around 2000 BC and the sophisticated tradition of making prestige objects in gold for rulers and deities gradually moved northward into Central America and Mexico over the course of several thousand years. The luxurious objects on view in the exhibition are generally small and lightweight, making them easy to transport, and in turn successful in promoting the exchange of skills and ideas across regions.
“Luxury arts were among the most vulnerable objects at the time of the Spanish Conquest,” explains Joanne Pillsbury, exhibition co-curator and Andrall E. Pearson Curator of the Ancient Americas at The Metropolitan Museum of Art. “The ancient works on display were among the most precious objects to the Incas, Mayas, Aztecs, and other indigenous groups, and most importantly are rare survivors of what was once the pinnacle of ancient American artistic production.”
Golden Kingdoms will feature extraordinary discoveries from recent excavations including the regalia of a powerful priestess from Peru’s north coast; exquisite ornaments from Sipán, the richest unlooted tomb in the ancient Americas; and ritual offerings from the sacred precinct of the Aztec Empire. The exhibition will also include a set of gold ornaments from the so-called Fisherman’s Treasure, recovered in the 1970s, destined for Charles V, the Holy Roman Emperor and Spanish king, but lost at sea en route to Spain.
““Through the exhibition, we seek to create a new understanding of ancient American art, thematically explore the indigenous ideas of value, and cast new light on the brilliance of ancient American artists and their legacy.”,” says Kim Richter, co-curator of the show and senior research specialist at the Getty Research Institute.
Golden Kingdoms: Luxury and Legacy in the Ancient Americas is co-organized by the J. Paul Getty Museum, the Getty Research Institute, and The Metropolitan Museum of Art in New York. It is curated by Joanne Pillsbury, Andrall E. Pearson Curator of the Ancient Americas at The Met, Timothy Potts, director of the J. Paul Getty Museum, and Kim Richter, senior research specialist at the Getty Research Institute. After the presentation at the Getty Center, Golden Kingdoms will travel to The Met where it will be on view February 26 – May 28, 2018.
Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Led by the Getty, Pacific Standard Time: LA/LA is the latest collaborative effort from arts institutions across Southern California, featuring more than 70 exhibitions exploring wide-ranging aspects of Latin American and Latino arts and culture.
The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations: the Getty Center in Los Angeles and the Getty Villa in Pacific Palisades.
The J. Paul Getty Museum collects Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts to 1900, as well as photographs from around the world to the present day. The Museum’s mission is to display and interpret its collections, and present important loan exhibitions and publications for the enjoyment and education of visitors locally and internationally. This is supported by an active program of research, conservation, and public programs that seek to deepen our knowledge of and connection to works of art.
Visiting the Getty Center
The Getty Center is open Tuesday through Friday and Sunday from 10 a.m. to 5:30 p.m., and Saturday from 10 a.m. to 9 p.m. Admission to the Getty Center is always free. Parking is $15 per car, but reduced to $10 after 3 p.m. No reservation is required for parking or general admission. Reservations are required for event seating and groups of 15 or more. Please call (310) 440-7300 (English or Spanish) for reservations and information. The TTY line for callers who are deaf or hearing impaired is (310) 440-7305. The Getty Center is at 1200 Getty Center Drive, Los Angeles, California.
Same-day parking at both Museum locations (Getty Center and Getty Villa) is available for one fee through the Getty’s Pay Once, Park Twice program. Visit the Museum Information Desk at the Center or the Villa to obtain a coupon good for same-day complimentary parking at the other site.
Additional information is available at www.getty.edu.
Sign up for e-Getty at www.getty.edu/subscribe to receive free monthly highlights of events at the Getty Center and the Getty Villa via e-mail, or visit www.getty.edu for a complete calendar of public programs.