Press Materials

The re-staging of past events presents an opportunity for contemporary photographers to highlight underrepresented stories and to critique established narratives. This exhibition brings together works by seven artists—Eileen Cowin, Christina Fernandez, Samuel Fosso, Yasumasa Morimura, Yinka Shonibare MBE, Gillian Wearing, and Qiu Zhijie—all of whom have utilized reenactment in their respective practices. Presented in three topics - personal history, political history, and art history—the works showcase very different approaches to engaging with the past. Curated by Arpad Kovacs.

Centered on the Museum's recently acquired design for a painted glass window by Christoph Murer, this installation explores the ways in which sixteenth-century Swiss designers and glass painters communicated with each other through drawings. With a selection of five works, the display investigates how visual and textual information provided by designers, guided the execution of paintings on glass. Through close study, visitors can uncover the designer's cues and grasp how these two sorts of artists worked together so successfully. Curated by Edina Adam.

At the end of the 1520s, during the siege that brought to an end the last Florentine Republic, the painter Jacopo da Pontormo created one of his most moving and innovative altarpieces, the Visitation. Recent conservation has created the extraordinary opportunity for the work to travel for the first time from Carmignano (near Florence) to the United States. This exhibition presents Pontormo’s spectacular painting alongside its preparatory drawing and two exceptional portraits painted during the same tumultuous period. Curated by Davide Gasparotto.

Organized by the Gallerie degli Uffizi, the J. Paul Getty Museum and the Morgan Library & Museum.

This exhibition is made possible with generous support from Mr. and Mrs. J. Tomilson Hill, and the Foundation for Italian Art and Culture (FIAC).

Often referred to as the “father of art photography,” Oscar G. Rejlander has been praised for his early experiments with combination printing; for his collaboration with Charles Darwin; and for his influence on the work of Julia Margaret Cameron and Lewis Carroll. This ground-breaking exhibition is the first major retrospective on Rejlander, highlighting new research and a selection of works brought together for the first time. Curated by Karen Hellman.

Organized by the Canadian Photography Institute of the National Gallery of Canada.