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LOS ANGELES—In Focus: Picturing Landscape, at the J. Paul Getty Museum, the Getty Center, May 22–October 7, 2012, offers a rich trove of landscape photography from some of the most innovative photographers in the genre.  Drawn exclusively from the Getty Museum’s permanent collection, the exhibition brings together the work of twenty photographers, spanning the medium from the mid-1800s to the current decade, including Ansel Adams, Robert Adams, Manuel Alvarez Bravo, Imogen Cunningham, William Garnett, John Beasly Greene, Eliot Porter, Clifford Ross, Toshio Shibata and Edward Weston.

“The range of photographs chosen for this exhibition were selected from hundreds of extraordinary landscape works in the Getty Museum’s photography collection with an eye towards the various ways that photographers have responded to the daunting challenge of depicting the natural landscape photographically,” says Karen Hellman, assistant curator, Department of Photographs, the J. Paul Getty Museum, and curator of the exhibition.           

Since the invention of the medium, photographers have turned to the landscape as a source of inspiration.  Changing artistic movements and continual technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways.           

The Getty originally presented In Focus: The Landscape in June 2008, curated by Brett Abbott. Expanding on the first presentation of photographs, this second exhibition on landscape in the Getty Museum’s In Focus series examines how photographers have sought to capture the breadth and perspective of the landscape through a camera lens. The exhibition is organized around three main themes: nineteenth-century technical developments by photographers such as Francis Frith who captured intriguing views of the Egyptian Pyramids in the 1850s; works that show purely photographic approaches such as those by Edward Weston and Harry Callahan; and more recent ways in which photographers have framed the landscape to make environmental and conceptual statements.

One of the earliest works in the exhibition is actually not a photograph but a drawing made by Sir John Frederick Herschel in 1821 with the aid of a camera lucida, an optical device sometimes used as a drawing aid by artists of the period. The exhibition also includes a very early full-plate daguerreotype of a landscape made by Boston dentist Samuel Bemis in 1840.  During the first decades of the 20th century, artistic experimentation flourished and tested the boundaries of the genre.  Photographers such as Edward Weston and Harry Callahan sought to explore the landscape as abstraction and pure form.  In the second half of the 20th century, photographers began to explore the landscape in more socially conscious ways.  Eliot Porter devoted himself to publishing work in concert with conservation efforts. Virginia Beahan has delved into the landscape as a site of human history, rather than simply a subject of aesthetic contemplation. 

Contemporary artists continue to be inspired by the rich tradition of landscape photography. Also included in the exhibition is a large-scale photograph by Clifford Ross from his 2006 Mountain series, produced from extremely high-resolution digital files in order to make prints that came as close as possible to replicating reality.    

Several works will be on view for the first time, including a photograph taken in the forest of Fontainebleau, outside of Paris, by Charles Marville in the 1850s, and a photograph from Point Lobos, California, by Wynn Bullock, as well as a work by the Japanese photographer Toshio Shibata acquired with funds from the Getty Museum Photographs Council.

In Focus: Picturing Landscape is the eleventh installation of the ongoing In Focus series of thematic presentations of photographs from the Getty’s permanent collection, and includes twenty-two works by twenty photographers.

In conjunction with In Focus: Picturing Landscape, a book co-authored by Brett Abbott and Karen Hellman entitled Landscape in Photographs will be published in 2012. This publication will include all of the images on display from both In Focus shows centering on landscape as well as additional photographs. 

IMAGE AT TOP: Sandbars, Cape Cod, Massachusetts, 1966. William A. Garnett (American, 1916–2006). Cibachrome print. The J. Paul Getty Museum, Los Angeles. © Estate of William A. Garnet


All events are free, unless otherwise noted. Seating reservations are required. For reservations and information, please call (310) 440-7300 or visit


Experiencing the Getty Collection: Inventing Landscape

Explore the evolution of landscape as an essential subject for painters and photographers and the development of a modern vision in this three-part course. Join educators Jennifer Li, Zhenya Gershman, and Clare Kunny to consider the process and the meaning of painted and photographic landscapes. Getty Center: Sketching Gallery. Course fee $15 per session.

Part 1: Friday, April 20, 2:00–4:00 p.m.: Dutch and British Landscape Traditions
Part 2: Friday, May 11, 2:00–4:00 p.m.: A Day in the Country: Impressionist Landscape
Part 3: Friday, June 29, 2:00–4:00 p.m.: Depth of Field: Landscape Photography


Publications are available in the Getty Museum Store, by calling (310) 440-7059, or online at

Landscape in Photographs

Karen Hellman and Brett Abbott

The works presented here show how photographers' approaches to nature have evolved in diverse and meaningful ways over the course of the medium's history. (Hardcover, $24.95)

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The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations:  the Getty Center in Los Angeles and the Getty Villa in Malibu.

The J. Paul Getty Museum collects in seven distinct areas, including Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts, and photographs gathered internationally. The Museum's mission is to make the collection meaningful and attractive to a broad audience by presenting and interpreting the works of art through educational programs, special exhibitions, publications, conservation, and research.

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