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June 08, 2017

The Getty announces its Friday Flights program of experimental performances with musicians and artists


FOR IMMEDIATE RELEASE  

MEDIA CONTACTS:    
Val Tate
Getty Communications
(310) 440-6861
vtate@getty.edu



The Getty announces its Friday Flights program of experimental performances with musicians and artists


Returning for its fourth season, this free series will feature Brendan Fernandes, How to Dress Well, William Tyler, Noveller, Molly Surno, Brian Chase, Sun Araw, Kenyatta A. C. Hinkle, Psychic Ills, and more
 

Top: Brendan Fernandes, How To Dress Well, Noveller, William Tyler; Bottom: Molly Surno’s We of Me, Tyler Matthew Oyer and Kenyatta A.C. Hinkle performing The Nowannago
 
LOS ANGELES – Friday Flights is back this summer to transform your Getty experience. Held monthly each June, July, and August, Friday Flights invites artists to respond to the Getty’s unique architecture and gardens and forge new connections to the collections and exhibitions through music, performance, film, and other creative interventions.

Each Friday Flights features a notable visual artist and musicians collaborating across disciplines to create site-specific performances. This summer, Friday Flights focuses on identity, addressing gender, race, nationality, and institutions.

In addition to headliners, other musical music performances and pop-up installations activate unique areas of the site, making the Museum’s courtyard an interpretive space, where artists are encouraged to push themselves, and the Getty, out of their comfort zones.

The 2017 season kicks off June 16 with a collaboration between visual artist Brendan Fernandes and musician How To Dress Well for Free Fall 49, a dance, sculptural installation, and performance wherein dancers fall 49 times, once for every victim of the mass shooting at the Pulse nightclub in Orlando, Florida on June 12, 2016. Free Fall 49 engages the falling body as a metaphor for queer politics in an attempt to understand brutality and offer sanctuary. It acts as a memorial to the targeted men and women at Pulse, whose appearance and culture were at a charged intersection of race, gender, and sexual orientation. They are remembered one year later, as bodies of difference remain war zones between political control and freedom of expression. Here the metaphor of falling includes the perseverance of getting back up, and defiance in the face of perceived defeat.

Also on June 16, William Tyler and Noveller, two extraordinary solo guitarists who draw from radically different ends of the musical spectrum, collaborate for a unique performance, and musician Sam Rowell creates an immersive light and sound installation among the flowers of the Central Garden that transitions from day to night.

Up next, on July 14, artist Molly Surno presents We of Me, a performance featuring musician Brian Chase of the Yeah Yeah Yeahs, wherein 20 men perform a choreographed soundscape using hand-crafted musical hair brushes. The meditative, repetitive, layered composition explores gestures associated with the intimacy and ritual act of grooming, conflating private, public, and gendered worlds. Recalling La Monte Young’s projects Dream House, as well as sound baths held in Edward Van Tassel’s Integratron structure, this performance utilizes the physical and emotional effects of sound to merge the performers and onlookers into a collective experience.

July 14 will also include Sun Araw, the experimental psychedelic musical project of Los Angeles-based artist Cameron Stallones, and the Institute for New Feeling, an artist collective that describes itself as “a research clinic committed to the development of new ways of feeling, and ways of feeling new.”

The season ends on August 25 with artist Kenyatta A.C. Hinkle’s riveting presentation of Exploring the Nowannago: Kentifrican Modes of Resistance, featuring Tyler Matthew Oyer. In this provocative performance, Hinkle creates a tension with a double-noose tug-of-war as a part of her on-going artistic navigation of the “Historical Present.” Performed for the first time with live-music accompaniment by The Kevin Robinson Ensemble (KREation), Hinkle’s performance abstractly confronts a multi-faceted set of contemporary issues and grapples with the residue of history.

Also on August 25, Los Angeles-based visual artist and composer, Scott Benzel, whose analytical and often sound-driven work has been shown or performed at the Los Angeles County Museum of Art, the Museum Of Contemporary Art Los Angeles, and The Hammer’s Made in LA biennial in 2012, among many others, will presents a new sound-based performance work. The series will be closed out by a rare performance by the hypnotic, New York psych-rock band Psychic Ills, of the cult-followed record label Sacred Bones.

All events are free and take place at the Getty Center from 6:00 -9:00 p.m. No tickets or reservations required. Parking at the Getty Center is $15, reduced to $10 after 3:00 p.m. Visit getty.edu/360 or download the Getty360 app to keep up to date with the latest at the Getty.
 
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The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations: the Getty Center in Los Angeles and the Getty Villa in Pacific Palisades.

The J. Paul Getty Museum collects Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts to 1900, as well as photographs from around the world to the present day. The Museum's mission is to display and interpret its collections, and present important loan exhibitions and publications for the enjoyment and education of visitors locally and internationally. This is supported by an active program of research, conservation, and public programs that seek to deepen our knowledge of and connection to works of art.

Visiting the Getty Center
From May 26-September 1, 2017, the Getty Center is open Tuesday, Wednesday, Thursday, from 10 a.m. to 5:30 pm., Friday and Saturday until 9:00 p.m., and Sunday until 7:00 p.m. It is closed Monday and most major holidays. The Center will be closed on Monday, May 29, Memorial Day, and open on Tuesday, July 4, Independence Day.

Admission to the Getty Center is always free. Parking is $15 per car, but reduced to $10 after 3 p.m. No reservation is required for parking or general admission. Reservations are required for event seating and groups of 15 or more. Please call (310) 440-7300 (English or Spanish) for reservations and information. The TTY line for callers who are deaf or hearing impaired is (310) 440-7305. The Getty Center is at 1200 Getty Center Drive, Los Angeles, California.

Same-day parking at both Museum locations (Getty Center and Getty Villa) is available for $15 through the Getty's Pay Once, Park Twice program.

Additional information is available at www.getty.edu.
Sign up for e-Getty at www.getty.edu/subscribe to receive free monthly highlights of events at the Getty Center and the Getty Villa via e-mail, or visit www.getty.edu for a complete calendar of public programs.
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