FOR IMMEDIATE RELEASE

May 12, 2021

Power, Justice, and Tyranny in the Middle Ages at Getty Museum

Media Contact(s):

Valerie Tate
vtate@getty.edu
(310) 440 -6861
Getty Communications

Power, Justice, and Tyranny in the Middle Ages at Getty Museum

Illuminated manuscripts show use and abuse of power in Medieval Europe

Ariadne Discovers Theseus’s Departure, about 1493. Master of the Chronique scandaleuse. French, active about 1493 – 1510. Tempera colors, gold, and ink. The J. Paul Getty Museum, Los Angeles. 2021.7.13

 

LOS ANGELES –The J. Paul Getty Museum presents Power, Justice, and Tyranny in the Middle Ages, featuring manuscripts that showcase how medieval Europe struggled with many of the same issues of power and disenfranchisement that contemporary society faces today.

“The use and abuse of power was a subject of intense discussion in the Middle Ages, inspiring works of art that expose the divide between political and religious ideals on the one hand and the reality of lived experience on the other. The illuminated manuscripts in this exhibition, drawn exclusively from the Museum’s own collection, show how artists explored the intersections between power, justice, and tyranny, and illustrate the tension between noble aspirations and humanity’s baser instincts, both of which are represented. Visitors may well see resonances with recent events—another example, if it were needed, of the power of art to express and influence major social and ideological issues throughout history,” says Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle director of the J. Paul Getty Museum.

Politics and religion were intimately intertwined in the Middle Ages (ca. 500 – 1500 CE), as can be seen in one image in the exhibition showing the crowning of the King of the Franks. The enthroned king is flanked on one side by representatives of the Church and on the other by members of the nobility. The king was the highest power in the land, but his right to rule was conferred by the Church.

In another image indicating the close relationship between Church and state, Saint Leonard breaks open the bars of a prison to free a caged child. When honored by King Clovis, the saint had asked only for the right to free prisoners who had been unjustly detained – a privilege otherwise only held by the king.

Even long-revered historical figures don’t escape the attention of manuscript illuminators, as seen in an illustration of Alexander the Great, whose life served as a model of both good and bad leadership for medieval rulers. The artist reveals his own biases by writing that “in order to avoid a bad example,” he changed the gender of Alexander’s influential male lover to a female seductress. The assumed sway Alexander’s paramour had over political decisions was intended to illustrate Alexander’s immoral behavior, according to medieval mores.

An image of the mythological heroine Ariadne leaning over her writing desk, penning a letter to her faithless lover, Theseus, provides insight into the way women wielded power in the medieval world. Ariadne had helped Theseus escape almost certain death, only to be abandoned. This poignant image illustrates a translation of the Roman author Ovid’s text Heroides (Heroines), a series of imagined letters from legendary women of antiquity to the men who wronged them. Owned by Anne of Brittany (1477-1514), queen of France, the manuscript offers a tantalizing view of the literary tastes of an influential medieval woman who was interested in injustices against women. The manuscript was acquired by the Getty this year, and this exhibition marks its first display to the public in its 500-year history.

The exhibition includes numerous examples of seemingly benevolent rulers who actually had tyrannical aims, the struggle between secular and religious ruling parties, and the tortures that await those who are reckless and cruel in their quest for power.

“Four curators in the Manuscripts Department came together to conceive this exhibition, originally planned to coincide with the U.S. national elections in the fall of 2020,” says Elizabeth Morrison, Senior Curator of Manuscripts. “The pandemic delayed the exhibition, but its themes seem even more relevant now, in a world shaken by events of the past year.”

Power, Justice, and Tyranny in the Middle Ages will be on view when the Getty Center reopens May 25. It is curated by Kristen Collins, Larisa Grollemond, Bryan Keene, and Elizabeth Morrison. You can also view a presentation of the exhibition online on Google Arts and Culture.

MEDIA CONTACT:

Valerie Tate

vtate@getty.edu

(480) 276-2274

Getty Communications

 

 

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Getty is a leading global arts organization committed to the exhibition, conservation, and understanding of the world’s artistic and cultural heritage. Working collaboratively with partners around the globe, the Getty Foundation, Getty Conservation Institute, Getty Museum and Getty Research Institute are all dedicated to the greater understanding of the relationships between the world’s many cultures. The Los Angeles-based J. Paul Getty Trust and Getty programs share art, knowledge, and resources online at Getty.edu and welcome the public for free at the Getty Center and the Getty Villa.

 

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