August 24, 2011

New Book Provides a Fascinating Look at How the Twentieth-Century Avant-Garde Adopted and Adapted Ancient Art


Melissa Crowley
Getty Publications
(310) 440-6795

LOS ANGELES—An unlikely episode in the history of European Modernism is the alliance between the avant-garde and the antique forged by artists of impeccable radical credentials. Modern Antiquity: Picasso, de Chirico, Léger, Picabia (Getty Publications, $39.95, hardcover) focuses on the reinventions and transformation of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. In distinctly different ways, classicizing creations such as de Chirico’s enigmatic piazzas, Picasso’s post-Cubist women, Léger’s mechanized nudes, and Picabia’s Transparencies reflect what the eyes and minds of these artists found so arresting in the arts of antiquity and how they made those arts modern.

Classicism in the modern age has often been condemned as a conservative regression of the avant-garde in light of the totalitarian regimes that formed in Europe during this period. Yet far from being a reactionary language, the “classical” provided a range of elements that were surprisingly in tune with the “modern.” Modern Antiquity draws unprecedented attention not only to the aesthetic impact ancient art had on twentieth-century artists but also to the ways in which these artists shaped our contemporary experience of antiquity. The result is a new and more nuanced appreciation of the complex role the classical past has played in western modernity.

Modern Antiquity is published to coincide with an exhibition of the same name on view at the Getty Villa from November 2, 2011, through January 16, 2012, and at the Musée Picasso from February 16 through May 20, 2012.

About the Authors: Christopher Green is professor emeritus of art history at the Courtauld Institute of Art in London and author of Picasso: Architecture and Vertigo (Yale University Press, 2005). Jens M. Daehner is associate curator in the Department of Antiquities at the J. Paul Getty Museum and coauthor of The Herculaneum Women: History, Context, Identities (Getty Publications, 2008).

Publication Information:

Modern Antiquity
Picasso, de Chirico, Léger, Picabia
Christopher Green and Jens M. Daehner
J. Paul Getty Museum
176 pages, 9 x 11 inches, hardcover
82 color and 41 b/w illustrations
ISBN 978-0-89236-977-5, $39.95 [UK £27.95]

Publication Date: November 15, 2011


Kindly send two tearsheets of your review when published to Melissa Crowley, Getty Publications, 1200 Getty Center Drive, Suite 500, Los Angeles, CA  90049-1682.

Available at bookstores or through Getty Publications (800-223-3431). Distributed to the trade in the U.S. and Canada by the University of Chicago Press and in the U.K. and Europe by Orca Book Services.

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