The French Fleet, Cherbourg, August 4-6, 1858. Gustave Le Gray (French, 1820 - 1884). Albumen silver print. The J. Paul Getty Museum, Los Angeles
© R.B. Kitaj Estate, courtesy Marlborough Fine Art. Tate: Purchased 1985. Photo © Tate, London 2016
Mont Blanc Seen from La Faucille, Storm Effect, Begun 1834. Théodore Rousseau (French, 1812 – 1867) Oil on canvas. 56 5/16 x 94 1/2 in. Ny Carlsberg Glyptotek, Copenhagen.
Cave 85, detail of wall painting of a dancing figure, Late Tang dynasty (848– 907 CE). Mogao caves, Dunhuang, China. Photo: Lori Wong. © J. Paul Getty Trust
Lion Attacking an Onager (Detail), A.D. 150-200, Hadrumetum, (now Tunisia), stone and glass. The J. Paul Getty Museum

Upcoming Exhibitions & Events

Real/Ideal: Photography in France, 1847-1860al?

August 30-November 27, 2016

The French Fleet, Cherbourg, August 4-6, 1858. Gustave Le Gray (French, 1820 - 1884). Albumen silver print. The J. Paul Getty Museum, Los Angeles
 
August 18, 2016
GETTY VILLA PRESENTS FREE DAYLONG OUTDOOR PERFORMANCE INCORPORATING MOVEMENT AND SOUND TO CONSIDER BLACKNESS IN ANTIQUITY AND THE PRESENT DAY
A ten-hour performance and sound installation by Taisha Paggett and Yann Novak exploring concepts of race, time, beauty, and loss in the communal spaces of the Getty Villa Outer Peristyle garden. 
August 04, 2016
Getty Research Institute Acquires Most Important Collection of Late 19th and Early 20th Century German Works on Paper in Private Hands, Including the Definitive Collection of Work by Käthe Kollwitz
The Dr. Richard A. Simms Collection comes to the GRI as a partial donation and includes 654 prints and drawings by Kollwitz and artists in her circle such as Max Klinger, Emil Nolde, and George Grosz 
July 28, 2016
Getty Foundation Announces 2016 Keeping it Modern Grants That Span the Globe
The nine grantees this year include the initiative’s first projects by female architects, the first project in Africa, and Soviet Modernist buildings

 

 
July 19, 2016
 Getty Museum Presents Richard Learoyd: In the Studio
This is the first monographic exhibition dedicated to Learoyd's work in a U.S. museum 
 

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