FOR IMMEDIATE RELEASE

August 11, 2021

Getty’s Upcoming Free Virtual Events Focus on Black Representation in the Arts

Getty’s Upcoming Free Virtual Events Focus on Black Representation in the Arts

Re-envisioning American monuments, and more, to be discussed in latest roster of online programs

Statuette of a Seated Black African Boy, 450-425 B.C., Etruscan. Bronze. The J. Paul Getty Museum, Gift of Barbara and Lawrence Fleischman. Image: Bruce White Photography

 

LOS ANGELES – Getty has announced its upcoming lineup of free educational and entertaining virtual programs, which will explore a wide range of topics centering Black representation in the arts across the globe, from 450 BC to present day. Visit www.getty.edu/whats-on for complete program information.

 

UPCOMING VIRTUAL LIVE PROGRAMS:

All virtual live events will be available either on Getty Museum’s YouTube or Getty Research Institute’s YouTube channels following the event.

 

Photography and Social Practice: Shaping Visual Language

Monday, August 16 at 5pm PT
Free, Hosted via Zoom
Register in advance for this online event

Artists Charles Gaines and Harry Gamboa Jr. talk with independent curator jill moniz about how they have transformed photography to build visual language within social and cultural contexts. They discuss their roles as esteemed artists, writers, and educators in shaping public discourse about art, power, and social movements. This is the fourth and final program related to the exhibition Photo Flux: Unshuttering LA, on view at the Getty Center until October 10, 2021.

 

Art Break: Seeing Blackness in Greek and Etruscan Art

Thursday, September 2 at 12pm PT
Free, Hosted via Zoom
Register in advance for this online event

Focusing on a 2,500-year-old Etruscan bronze statuette, antiquities curator Claire Lyons and Sarah Derbew, assistant professor of classics at Stanford University, consider depictions of Black Africans in Classical art and literature. They confront simplistic modern assumptions about race and servitude and investigate how meanings shift when images of Blackness migrate between cultures and across time.

 

The Soul of a Nation Reader: Writings by and about Black American Artists, 1960–1980

Thursday, September 9 at 11am PT
Free, Hosted via Zoom
Register in advance for this online event

What is "Black art"? Between 1960 and 1980, artists, curators and critics in the United States repeatedly asked this question in response to the social and political upheavals embodied by radical voices such as Malcolm X and the Black Panthers. Their diverse perspectives were published in national newspapers, museum catalogs, and one-off pamphlets, prompting a lively public debate.

The Soul of a Nation Reader collects over 200 of these rare and out-of-print writings, offering a powerful record of the positions taken by figures including Amiri Baraka, Frank Bowling, David Hammons, Elizabeth Catlett, and Linda Goode-Bryant. In this conversation with moderator LeRonn P. Brooks, the book’s editors Mark Godfrey and Allie Biswas discuss various dimensions of this cultural dialogue, while highlighting specific texts. Six years in the making, this landmark anthology provides access to these important materials for the first time.

This program is part of the Getty Research Institute’s Art History in the Making series, which brings artists, critics, curators, and scholars together to explore how both the creative practice of art-making and new discoveries in art history are provoking new questions and redefining the frontiers of the field.

 

Art Break: Re-envisioning American Monuments

Wednesday, September 22 at 12pm PT
Free, Hosted via Zoom
Register in advance for this online event

Artist and publisher, Kris Graves, discusses his American Monuments portfolio with Getty Research Institute curator LeRonn Brooks. This program is presented in relation to the exhibition In Focus: Protest, on view at Getty Center until October 10, 2021.

 

MEDIA CONTACT:

Cole Calhoun
Getty Communications
ccalhoun@getty.edu
(714) 864-0768

 

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Getty is a leading global arts organization committed to the exhibition, conservation, and understanding of the world’s artistic and cultural heritage. Working collaboratively with partners around the globe, the Getty Foundation, Getty Conservation Institute, Getty Museum and Getty Research Institute are all dedicated to the greater understanding of the relationships between the world’s many cultures. The Los Angeles-based J. Paul Getty Trust and Getty programs share art, knowledge, and resources online at Getty.edu and welcome the public for free at the Getty Center and the Getty Villa.

The J. Paul Getty Museum collects Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts to 1900, as well as photographs from around the world to the present day. The Museum’s mission is to display and interpret its collections, and present important loan exhibitions and publications for the enjoyment and education of visitors locally and internationally. This is supported by an active program of research, conservation, and public programs that seek to deepen our knowledge of and connection to works of art.

The Getty Research Institute is an operating program of the J. Paul Getty Trust. It serves education in the broadest sense by increasing knowledge and understanding about art and its history through advanced research. The Research Institute provides intellectual leadership through its research, exhibition, and publication programs and provides service to a wide range of scholars worldwide through residencies, fellowships, online resources, and a Research Library. The Research Library—housed in the 201,000-square-foot Research Institute building designed by Richard Meier—is one of the largest art and architecture libraries in the world. The general library collections (secondary sources) include almost 900,000 volumes of books, periodicals, and auction catalogues encompassing the history of Western art and related fields in the humanities. The Research Library’s special collections include rare books, artists’ journals, sketchbooks, architectural drawings and models, photographs, and archival materials.


 

 

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