FOR IMMEDIATE RELEASE
The Getty To Present: Cave Temples Of Dunhuang: Buddhist Art On China’s Silk Road Organized In Collaboration With The Dunhuang Academy And The Dunhuang Foundation
Exhibition will feature rare objects found at the famous Mogao caves site, along with full-scale replicas of three of Mogao’s most exquisite cave temples
Presenting Sponsor: The Robert H. N. Ho Family Foundation
Lead Corporate Sponsor: East West Bank
Lead Sponsor: The Henry Luce Foundation
May 7–September 4, 2016
At the Getty Center, Los Angeles
Organized by the Getty Conservation Institute (GCI), the Getty Research Institute (GRI), the Dunhuang Academy, and the Dunhuang Foundation, Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road celebrates the over 25 years of collaboration between the GCI and the Dunhuang Academy to conserve and protect this World Heritage site.
“This exhibition is the product of years of hard work and cooperation between the Getty Conservation Institute and their partners in Dunhuang to conserve the extraordinary legacy of the Mogao caves, arguably the most important and beautiful pictorial evidence of the transmission of Buddhism along the Silk Road,” says Jim Cuno, President and CEO of the J. Paul Getty Trust.
With their exquisite wall paintings and sculptures, the Mogao caves bear witness to the intense religious, artistic, and cultural exchanges along the Silk Road, the trade route linking East and West. Three full-size cave replicas, hand painted by artists at the Dunhuang Academy, will be installed on the Getty Center’s plaza, allowing visitors to experience the cave temples for themselves and to learn about their conservation.
“The Dunhuang Academy is delighted to be partnering with the Getty Conservation Institute, the Getty Research Institute, and the Dunhuang Foundation in this major exhibition, the first comprehensive display in the United States on the ancient cave temples of Mogao,” says Wang Xudong, director of the Dunhuang Academy. “Since 1989 the Dunhuang Academy and the Getty Conservation Institute have worked together on the conservation and management of the site and in so doing have forged an enduring bond of friendship. Not only will the exhibition bring to the American public the artistic beauty of this World Heritage Site but it will serve also as a model for international collaborations.”
The exhibition will continue in the GRI galleries, with art and objects from the site that reflect the diverse ideas, beliefs, and artistic styles found in the cave temples. The exhibition will include paintings on silk, textiles, drawings, and manuscripts on loan from the British Museum, the British Library, the Musée Guimet, and the Bibliothèque nationale of France—objects that have rarely, if ever, traveled to the United States. Also on view will be rare books and maps from the GRI’s Special Collections.
The Getty will present a slate of public programs, performances, lectures and tours related to the exhibition. The Getty has also partnered with departments at the University of California, Los Angeles to offer a major, international scholarly symposium in May 2016. Details will be announced later this year.
An exhibition catalogue titled Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road will be published, and a revised edition of Cave Temples of Mogao: Art and History on the Silk Road will be released as well.
For more information about the exhibition, visit www.getty.edu/cavetemples
The Robert H. N. Ho Family Foundation is the Presenting Sponsor of the exhibition. “The Robert H. N. Ho Family Foundation is proud to be part of this unique presentation, which reflects our core mission to expand knowledge of Buddhism and Chinese culture as well as facilitate mutual understanding between East and West,” says Ted Lipman, Chief Executive Officer of The Robert H. N. Ho Family Foundation. “Through the dedicated efforts of an international team of academics, conservators and other specialists, The Getty has developed an unprecedented opportunity for audiences outside China to experience the wonders of Dunhuang, which served as the meeting ground for great cultures and ideas for more than a millennium.”
Lead Corporate Sponsor for the exhibition is East West Bank. “East West Bank is pleased to support this extraordinary collaboration between the Getty and Dunhuang Academy to restore one of the world’s great cultural treasures,” says Dominic Ng, Chairman and CEO of East West Bank. “Now the public has the rare opportunity to see these stunning artworks from the Silk Road, including the famous Diamond Sutra, a relic of immense historical significance. We are proud to serve as the cultural and financial bridge between the East and West, a relationship that will continue to grow in importance for years to come.”
Lead Sponsor for the exhibition is The Henry Luce Foundation.
The Getty Conservation Institute works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field. In all its endeavors, the GCI focuses on the creation and delivery of knowledge that will benefit the professional conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field. In all its endeavors, the GCI focuses on the creation and delivery of knowledge that will benefit the professionals and organizations responsible for the conservation of the world’s cultural heritage.
The Getty Research Institute is an operating program of the J. Paul Getty Trust. It serves education in the broadest sense by increasing knowledge and understanding about art and its history through advanced research. The Research Institute provides intellectual leadership through its research, exhibition, and publication programs and provides service to a wide range of scholars worldwide through residencies, fellowships, online resources, and a Research Library. The Research Library—housed in the 201,000-square-foot Research Institute building designed by Richard Meier—is one of the largest art and architecture libraries in the world. The general library collections (secondary sources) include almost 900,000 volumes of books, periodicals, and auction catalogues encompassing the history of Western art and related fields in the humanities. The Research Library’s special collections include rare books, artists’ journals, sketchbooks, architectural drawings and models, photographs, and archival materials.
The Dunhuang Academy is a national institution in China with a mission to conserve, manage, and research the Mogao Grottoes, a World Heritage Site, as well as the Yulin Grottoes and the Western Thousand Buddha Grottoes, nationally protected sites. Founded in 1944 as the National Dunhuang Art Research Institute, the Dunhuang Academy today has as its guiding mandate conservation, research, and public promotion. Dunhuang Academy also has been granted as National Research Center for Conservation of Ancient Wall Painting and Earthen Sites. More information at http://en.dha.ac.cn/.
Additional information is available at www.getty.edu.
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